“American baritone John Brancy was a striking Don Giovanni.” — Ossama el Naggar, ConcertoNet
“In the title role, John Brancy demonstrated great stage agility and convincing acting. A beautiful voice, too…” – Eric Champagne, Revue l’Opéra
In the title role, John Brancy brings to the fore a sumptuous baritone timbre coupled with exquisite musicality allowing him to chisel out Là ci darem la mano with rare joy…” – Louis Bilodeau, Olyrix
“In the title role, we heard an elegant and polished version from baritone John Brancy, with impeccable technique…” – Justin Bernard, MyScena
“William Meinert was a good Commendatore, with the voice and stage presence adequate for the role…” – Eric Champagne, Revue l’Opéra
“William Meinert has all the vocal authority to do full justice to the Commendatore…” – Louis Bilodeau, Olyrix
“American William Meinert was an imposing Commendatore. Though one is more familiar with a cavernous basso profondo in this role, Meinert was effective. His towering stature and make‑up made him into a truly scary apparition in Act II when he drags Don Giovanni to Hell…” — Ossama el Naggar, ConcertoNet
“Finally, William Meinert, as the Commendatore, was impressive not only for his size and stature, but also for the solidity of his voice, quivering to perfection; one of the best performances we have heard in a role known for being particularly difficult to perform…” – Justin Bernard, MyScena